If notions of a communication in graffuturism can be found beyond visual thinking in painting, i would look for ideas based on the word skills of the artist to find them. To establish conversation/ dialogue that would enable the development of creative ideas(Mai/Remke), we might look for descriptions of the use of shared space(Bua). We should again identify with diverse groups of graffiti artists worldwide, to seek out their work in these areas(Mills). In abstraction the graffiti artists process may move in focus from identity, discard anonymity to find a pathway through development ofHipHop practices. I want to tap into these world stories and illustrate with others, life choices - immersive experiences, the 'Rap Route’ and ‘skills’. Social documentation on action- art in society and graffiti in the studio might no longer be underrepresented as an area of contemporary art. It might be that a cultural centre, based on the evident, could take shape- a cultural and critical art form constructed in a multidimensional project.